A small studio of one. Each piece — earrings, necklaces, rings — is shaped, set and finished in the atelier of Wejdan. No two are exactly alike.
Jewelry in every shape, color and size — pressed, painted and hand-set, never the same way twice.
Every piece passes through the maker's hands — no factory, no shortcuts.
Six to twelve pieces per design. When they're gone, they're gone.
Wrapped in linen, packed in a hand-stamped box, posted from the studio.
Free re-finishing and repair for a year — and a discount forever after.
Quartz is the work of one woman — Wejdan — who began making jewelry as a quiet, private practice. Today the studio releases small editions a few times a year. Every piece carries the rhythm of handwork: tiny imperfections, soft asymmetries, a finish only patience can produce.
Inside the atelier →Each collection begins with a colour or a shape that won't leave the maker's mind. From there, sketches. From sketches, a sample. From a sample, a piece you can wear.
Nothing is mass-produced. Every piece is finished by hand, signed underneath, and packed in linen. No two are exactly alike — and that is the point.
A colour, a shape, a stone found on a walk. Every piece begins with something seen.
Watercolour studies and back-of-envelope drawings. Most ideas are abandoned here.
Stones cut, ceramic fired, brass bent over the bench. The slowest part of the process.
Polished, signed, wrapped in linen. Numbered and sent — never the same way twice.
There is a kind of quiet to wearing one of Wejdan's pieces — like carrying a small, private painting that only you know the shape of.
Tell the studio what you have in mind — a colour, a stone, a shape, an occasion. The atelier takes a small number of bespoke commissions each season.